Joe Bageant

Queen of the Skies

See the introduction to this series of posts: Writing on Things Southern and Past

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By Joe Bageant

As I drove through the decaying neighborhood in Winchester, Virginia the pain of growing up there came back -- the stabbing kind that only lasts a second but makes you flinch as you remember some small but stupid and brutal moment of adolescence. I have never known if everyone has them, but I've always suspected they do. Now that old neighborhood slid by my rental car window looking like it was painted by Edward Hopper, then bleakly populated with gangstas, old men with forty-ounce malt liquor bottles, hard-working single moms and kids on cheap busted plastic tricycles.

Wedged between the old railroad station and the Confederate Cemetery, our neighborhood was and still is called the North End. It has gone mostly black now. But you can see some of its families going through the same struggle for modest respectability as in 1961 when it was the poorest edge of white Winchester -- flower pots on porches, lawn edges cut crisply in the earth along sidewalks, as if the red clay pounded by the feet of neighborhood kids were going to produce enough grass to threaten the walkways -- all those things the poorest white working people did back then to proclaim: We might be poor and close to Niggertown, but we ain't niggers.

Blood and Poppies

See the introduction to this series of posts: Writing on Things Southern and Past

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By Joe Bageant

My family's ancestral home on Shanghai Road, a great sagging clapboard thing perched on a hill with its many filigreed balconies and porches like heisted antebellum petticoats, sat perched on a hill at the base of Sleepy Creek Mountain. Gnawed by the elements on the outside and woodsmoked by a thousand griddlecake mornings on the inside, where children ran the stairways and mice ran the cellars, my grandparent's house was stuffed and running over with life itself.

It was also a place where people died as well as lived. Died and were "laid out" in the parlor. My great-grandfather Old Jim was the last one to be laid out there. At the time I very young and was among the last in my family to see the embalmer dump the white enameled bucket of blood over the roots of the wavering red poppies that grew hard by the front yard. In those days and in those hollers the embalmer sometimes came to your house and laid out the body in the parlor. Low lamps burned all night and Old Jim was so still in that satin-lined box, like some ancient felled tree. Then that first realization of mortality struck, killing that innocence it kills in all of us. Maw leaned through the kerosene lantern glow and said, "Joey, be real still and you'll hear the angels sing." I did. No angels sang. Not a sound except the breathing of Old Jim's great black dog whose green eyes flashed from under the bier. I also remember a strange chemical smell. They say Old Jim had already picked out his burying suit years before and he smelled like mothballs when he went into the coffin.

Writing on Things Southern and Past

When visiting Joe and his wife Barbara six years ago in Winchester, Virginia, I convinced Joe to show me some of his unpublished writing. He was reluctant, appearing almost embarrassed, and said the writing was not good and that was why it was never published. He gave me a file folder containing nine essays, typed with handwritten changes and corrections.

These essays were beautiful. I wanted to start posting them on this website. Joe argued, of course. Several months later when Joe was visiting me in Mexico, I finally got his approval to post the nine essays -- but he insisted that they not be displayed on the home page. His logic on this made no sense to me, but rather than belabor the point, I told him I would back-date the posts and make a separate category called "Things Southern". 

Then, Joe's agent negotiated a film/TV option with HBO and part of that agreement was that the Things Southern essays would be taken down. The HBO deal fizzled. So now, five years later, I have pulled the nine essays from my files and I will repost them over the next several weeks.

Below is Joe's introduction to Things Southern.

-- Ken Smith, ken@kvsmith.com

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Websites are a wonderful thing in that they can house a lifetime of work if need be. I'm not up for the world to see all I have written. So much of it, both published and unpublished is so bad. However, I do think some of it documents or speaks to an America that scarcely exists today, one that was kinder, more mysterious and certainly more connected with the earth and its verities. In this section, "Things Southern," rests a collection of essays, notes, remembrances and mental shards of a Southern boyhood in Virginia. Some are absolutely true, some shift back and forth between truth and fiction and some are outright lies. I will leave it to the reader to discern the difference. I certainly cannot.

-- Joe Bageant 

Tim Leary and the Outer Space Connection

Not many people under 50, maybe 60, know about the impact that Timothy Leary had on American culture. Leary was a respected faculty member at Harvard when he conducted government-funded tests of LSD and psilocybin, which back then were perfectly legal. Leary believed LSD showed therapeutic potential in psychiatry. He popularized catch phrases such as "turn on, tune in, drop out" and "think for yourself and question authority." His drug-related notoriety led to his dismissal from Harvard.

Leary became a media sensation and an affront to the establishment, which contributed to LSD being declared an illegal drug. He had a long series of arrests and long prison terms, too much to detail here, but mostly for possession of small amounts of marijuana for personal use. Facing prison, he fled the United States for Europe, North Africa and Central Asia. Leary was eventually caught and extradited, returned to the US where he faced additional charges for jumping bail.

During the 60s and 70s, Leary was arrested often enough to see the inside of 29 different prisons worldwide. President Richard M. Nixon once described Leary as "the most dangerous man in America" -- even though Leary had never physically harmed anybody. The judge at his remand hearing said, "If he is allowed to travel freely, he will speak publicly and spread his ideas."

Joe Bageant greatly respected the ideas and the person of Timothy Leary, so much so that Joe named his first son Timothy. Joe met and came to know many big names during his writing career, but he rarely talked about any celebrities or famous writers and musicians he had known. One exception to this was Leary. In his home, Joe had framed a hand-written note from Leary, on the stationary of a Tokyo hotel, praising Joe for his writing.

After Joe died two years ago, friends of his sent me copies of articles he had written in the 70s. I typed and posted one such article several months ago, followed by a second. The response was good, so here is another old article by Joe. This is based on conversations that Joe had with Leary during a two-day visit to Colorado in 1977, just several months after Leary had been released from a California prison.

The two previous old articles are "Tribute to a white trash saint" (Hank Williams) and  "In the footsteps of Neal Cassady's ghost".

-- Ken Smith, ken@kvsmith.com

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Rocky Mountain Musical Express, February 1977

By Joe Bageant

In natural accordance with the laws of God and airports, Stapleton was locked tight in the grip of a traffic jam the night Leary arrived. And since there was nothing to do but make the best of a bad situation, I got comfortable in the back seat, dug out a crumpled pack of smokes, and proffered some rather thin conversation toward other parties involved in this mission -- three students from the Colorado University Program Council, Leary's sponsor. But because I was ten years their senior, didn't ski and never go to movies, silence gradually won out as memory took over … dredging up images a decade old.

Flashbacks of Leary on the cover of Life Magazine, Leary on the street of Haight, Leary the psychologist/acid-priest/revolutionary/fugitive whose name became the pop culture trademark for consciousness expansion and the LSD spiritual movement -- a movement touching millions, many of which still look upon as the time of their awakening. Now he was back, released from prison on bail, and somehow it all felt like a rerun as he passed across 70 million TV screens flickering in slow motion to the flashbulb's glare. This time though, he was baffling everyone with science fiction-like statements about radical new world visions, outer space migration, human mutation and superintended lifespans and a program called SMIILE (Space Migration Increased Intelligence Life Extension).

Finally, the sheer compression of the jam squeezed our rented car, inch by inch to the front of the terminal -- where we disembarked to plow through hundreds of strangers under what felt like searchlights, mounted in the ceiling of the lobby. Porters, hippies, soldiers … pressed, pushed and jostled to the intercom's monotone for a few buzzing minutes, then Leary appeared. There was no mistaking him.

* * *

Decked out East Coast style, in plaid pants and a polo shirt, he was all smiles as he padded forward on glowing white tennis shoes. Even under the harsh light, he didn't look 56. After quick and polite intros all around, luggage clunked, car doors slammed and we were rolling. The car peeled back cold night air on its way to Denver's KTLK radio station where an interview was scheduled to happen.

The clock at the radio station read 9:30 p.m. when Tim Leary breezed its spongy, carpeted corridors to the broadcast booth. A late 20s DJ and a longhaired program director were on hand to welcome their celebrated guest -- who was radiating his famous smile (which seems to go Boiiinnnnnng!). Leary laughs readily and displays the charm of a born extrovert. No social exchange is too small for his attention. In fact, the lighter the rap, the more he appears to get off as he winks and cuts up, enjoying himself in a manner which struck me as sort of verbal ice skating. Visually, he is very kinetic and while he talks and moves about, it has a slight tinge of exaggeration, somewhat akin to the way TV actors move.

Showing a delight in the studio's equipment which bordered on possession at times, his hands dart briefly once or twice as Tim Leary declares his belief that: "Radio stations are temples of the religious ritual of electronic communication, with the DJs as modern technology's gurus who are responsible for getting out the signals; nocturnal shamans who bathe the earth in radio waves while the people sleep!" Tim is big on "signals" these days, and as he sees it: "It is one of my tasks to send out signals to that portion of the human race which is ready to mutate and migrate. It is the basis of my program … using signals to generate the collective energy of those developed to receive them."

Came time for the interview, everyone got a surprise, since a standard question/answer shot was the farthest thing from his mind. Instead, he whips out a sheaf of typewritten scripts, distributing them among whomever happened to be present, announcing: "We're going to do a live radio show. Everybody game?" Caught off guard, our young DJ stammers. "BBBut Mr. Leary, I have these questions for you to answer . . . "

"What kind of questions?"

"Questions of burning social and spiritual sig . . ."

"Oh Dear God!" Tim grabs his chest jokingly, pretending to collapse under their weight. "Okay, okay," he concedes, "but let's do the show first, then I'll give you all the time you want. A deal?"

"A deal" agrees our man of burning questions.

Next thing I know, we are all reading for the various parts in Leary's production. And mine, to my astonishment, is the role of an amoeba! To be exact, an amoeba named Dr. Protozoa whose speech is being delivered from the bottom of the Pre-Cambrian oceans -- concerning a dangerous new trend gaining popularity in the ranks of young amoeba, called "calcium tripping" (calcium being classified as a HARD drug, naturally). I gave it a try, but didn't get very far.

"No no no," interrupts doctor Tim. "You sound like you are READING it!"

"Well, uh, you've got to admit that it's kind of unusual dialogue," I offered lamely.

"We both know that's not really what's happening here, don't we? What's really happening here is that you aren't in total control of your nervous system. Right?" (He was completely right, since I'd been awake for about 40 hours at that point.) "Can't let it get away from you," he chuckles, and goes back to cajoling the others, all of whom have developed a case of cold feet, excepting the two broadcasters.

"Now this show," Leary begins, "is called 'Broadcasts From Higher Intelligence' and tonight we're going to be rapping with Gautama Buddha, Homer the Greek street cat, some DNA molecules . . . "

The final product was a half-hour commercial for higher intelligence and space migration -- employing humor as a method of slipping a few new ideas over. Radio listeners that night must have wondered what inna hell was going on as their radios broke forth in authoritarian tones warning them to: "Stand by for a transmission from higher intelligence."

* * *

So imperatively does Tim Leary view the SMIILE project that he uses the entire thrust of the media blitz, which began last year, to promote it. In an effort to present an approximate idea of the SMIILE concept, offered herein are some of his answer to questions gathered over a two-day period -- concerning SMIILE and a few other topics.

BAGEANT: "How can you be sure human development is really at the point of implementing such a futuristic program as SMIILE?"

LEARY: "Outer space immigration has been part of the trajectory of human development from the very beginning. We've been headed in that direction ever since we crawled out of the slime … but now we are actually there, and have been ever since the astronauts made the first penetrations."

BAGEANT: "Then we already have the inner biopsychological equipment to move on?"

LEARY: "Sure we do. We all have an extra-terrestrial aspect or side. Anyone who really had a true inner vision during the 60s knows it, has seen it . . . and touched it. It was always inevitable we should have to leave the planet, so why fight it? Let's just lay back and dig it!"

BAGEANT: So many people in this country have just discovered the land, ecology, etc. Such a stark look upward might be a little scary for some."

LEARY: "Space migration should not scare anyone, especially Americans. Every American is a descendant of immigrants who in turn were part of some larger migratory chain. The main difference is that we've come a long way from creaky little wooden ships."

BAGEANT: "So far, most of the space projects have been the exclusive area of the government. How do they feel about SMIILE?"

LEARY: "Naturally they are against it. So is big business … which leaves it up to the private sector. But at least they aren't conspiring against it -- they aren't hip enough to do that -- since they are still hung up in ancient mammalian territorial monkey games which force them to fight rather than respect the limitations of the planet. They spend more money fighting over the old world than it takes to build new ones. Meanwhile, many of the 60s consciousness mutants have come out of their cocoons of internal travel and are pushing outwards toward external progress.  Let's forget about astral travel and do some real traveling. Outer space is up for grabs."

BAGEANT: "Any thoughts or observations on the way things have developed since your incarceration, or while you were 'out' so to speak? What about the system in general?"

LEARY: "Well, even though I have gone through prison at the hands of the system, I still feel that, as Americans, we are light-years ahead of the rest of the world -- and have more REAL freedom than any place else on earth. Freedom is the capability to change things -- more of it now than ever before. Spiritually, the country took a downer about the time of the Kennedy assassination, but now we're getting our hope back, building up a new wave. The 60s mutants are everywhere. Right now there are two great forces at work on the face of this globe: mass centralization, as in China, which breeds insect suspicion, and the American self-realization movement towards individuality and self-improvement. What is at stake here is the future of the human race, so we are playing hard ball playing for keeps."

BAGEANT: "What about the hippies who retreated back to the soil, or embraced Eastern doctrines?"

LEARY: "Too many of the 60s crowd seem to be just fossilizing or sitting around. They got hung up in the Eastern doctrines such as Hinduism, which are pre-scientific and incapable of producing the kinds of results we now need. 'Lay back and be here and now' type solutions not only don't work, they are boring as hell. They were designed to placate people into waiting for Messiahs which never seem to come. We've got to do the job ourselves or it won't get done."

BAGEANT: "What do you think about the possible new life form they've found on the moon? The one that doesn't move or breathe, but gives off excreta?"

LEARY: "Sounds like they have found Republicans to me."

BAGEANT: "Speaking of politicians, any thoughts on Carter?"

LEARY: "With the election of Carter, we are seeing the blossoming of the 60s in the White House. I think he will be one of the greatest Presidents we've ever had, though I may be wrong and look like a fool five years from now. But he has every chance of it."

BAGEANT: "You might not have to wait five years to look like a fool, considering the way some of the media portrays you."

LEARY: "The media tells the middle class exactly what it wants to hear, so that they in turn will listen to the media. So actually, it only excommunicates a closed-off group of people who are plugged into a cycle which would never allow them to conceive of what I'm about anyway."

BAGEANT: "Do you have anything to say in general to persons waiting for signals?"

LEARY: "Yeah. Change, change, change, change. Keep mutating, keep molting. Go faster, go higher, get better. Follow the genetic imperative to learn and go forward. We are the nation with the vision and the equipment. So, let's go do it!"

***

Commonly held as the notion is, Timothy Leary is not burned out. At least not in the bombed-out brain cell sense of the word. Moreover, he is not even as crispy round the edges as your average rock star, and this new Leary seems more logical than the famous acid outlaw of years ago.

The difference in the two Learys (though this is not an entirely fair division) looks to be this: The old Leary sent back signals from deepest intercellular space, reached and perceived via acid, while the current one gathers his signals from the macrocosm, relying on the cold, clean accuracy of his own sort-system. Given that the general direction of his intelligence has always run along academic lines, it seems natural he should wind up depending upon his own intellectual machinery. True to the Leary form, he's determined to reach the farthest limits it will take him, even to the point of fulfilling the Moody Blues musical claim that "He's on the outside looking in."

Considering the contemporary cultural legend Tim Leary represents, only the most naive would fail to see there is more to it than his early endorsements of acid, or the small quantity of weed which sent him into exile and later to prison. Others have done those same things without becoming famous or pulling as much time as Leary has. Leary's legal crimes were just a technicality of the real crime.

What lies at the heart of the matter is the symbolic/conceptual crime he committed when he publicly violated middle-class taboos through the national media. Since the middle-class home is always ripe for a nice titillating, shocking infraction of their values, and since the news is always looking for someone to star in the 9 o'clock line up -- Leary was a natural for the part. Along with other players whose crimes were entertaining enough to make them suitable for mass consumption: William Calley, Patty Hearst, Manson, Speck, Cleaver (usually through crimes more brutal than Leary's).

What is fascinating and unique about Leary's though is the fact that his crime was, and still is an ongoing process -- instead of a one-time affair. His consciousness is still expanding far outside the realms of the national sensibilities. He won't have to kill anybody or repeat a bank robbery or hawk the rights to his memoirs as quickly as possible, in order to retain future identity. Instead, he has chosen to claim the future as part of HIS identity. Now THAT'S an expanded consciousness.

Concerning the Leary/Stool Pigeon Charges:

Timothy Leary was released amid widespread rumors that he bought his way out of prison by turning in some of his former cohorts from the old acid days. Since the print media has already mined the subject thoroughly, without producing any hard evidence to support these allegations (or even the source of them in most cases), we have purposefully avoided generating more copy on the subject. Leary's answer to the charge is a challenge to: "Produce one single person who has been indicted or convicted by anything I've told the government." To date, no one has.

Tribute to a white trash saint

Note: Joe Bageant died last year at age 64. I knew him only for the last eight years of his life. I launched and managed his website -- still do. About six weeks ago, I posted an article Joe had written when he was a beginning writer in Colorado. A scan of that article, "In the footsteps of Neal Cassady's ghost", had been sent to me by an old friend of Joe's.

I had no idea what the response might be to Joe's take on Neal Cassady, but it was favorable and readers have asked for more. The article below is about Hank Williams. In the coming weeks, I will post more of Joe's early writing -- and keep doing it as long as there is interest.

-- Ken Smith, ken@kvsmith.com

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Tribute to a white trash saint

The Colorado Daily, Sept. 8, 1976.

By Joe Bageant

Hiram Hank Williams was his full name and he was born in Georgiana, Alabama on Sept. 17, 1923, the son of a railroad engineer and a very crude and dominant mother whose character had been permanently scarred by the harsh realities of a dirt-poor South.

Facts concerning his early musical development are hard to obtain from people who knew him in his youth.

Because of their great pride in his later fame, they all claim to have had a hand in it. It's a fairly safe bet that he got his share of white gospel music as a child; even today it's inescapable in this region of Alabama. But the only individual firmly established to have had a direct influence on Williams was an old black street minstrel named Tee-Tot, known to have given guitar lessons to the young Williams, who followed him about.

If one were to choose the single factor -- other than native talent -- which pushed Williams out of the foggy anonymity of a small southern town and onto the path of fame, it would undoubtedly be his early marriage to his first wife, Audrey. It came natural for this 'Bama boy -- who throughout his life carried the tragic flaw of the deep southern style of matriarchal family -- to marry a woman as forceful and overbearing as his own, someone to take the responsibility for his life upon herself. Before long, Audrey had him performing at every county fair and candy show in the cotton belt.

By 1946 Williams found himself being pushed through the office doors of the largest recording and publishing outfit in Nashville, Acuff-Rose. And on that day, the still-primitive country-music industry connected with the gangly upping man who, shy hick that he was, would be the living embodiment of a style and form which would become the one all others would be judged against -- and generate wealth of unbelievable proportions.

As Audrey prompted Williams from the background, he stood in the office and sang five songs, all destined to become great classics. Astounded at the young man's ability, yet skeptical one man could have actually written all five, Fred Rose sent Williams into a back room with orders to "Write some kind of song right here on the spot as proof." Fifteen minutes later he returned from the room with "Mansion on the Hill," performed to this day by such people as John Denver and Michael Murphey.

Rose was something of a genius when it came to hillbilly music and had pioneered the field about as far as it could go until that time. In Williams he instantly knew he had the key to the hearts of rural America and ultimately a broader audience. Rose did well by Williams -- making him a household word throughout the South and West, and a moderately wealthy man off the income from songs like "Move It On Over" and "When God comes to Gather His Jewels."

True success didn't arrive until Williams' material caught on in the national pop field.

It was a full two years before the perfect break came their way, enabling them to crash the popular market. It came with the aid of one of the most unlikely persons imaginable, considering the Williams image.

That person was Tony Bennett. Bennett record "Cold, Cold Heart," which sold millions and exposed the Alabama songwriter's talents to the urban public.

I remember distinctly the impact he had on many of my relatives and neighbors in rural Virginia during the early 50s. Williams and what he represented was more important, held in higher esteem than even the President (of course the hill people of Appalachia never seem to be satisfied with anyone occupying the White House because of the fierce distrust inherited from their Scotch-Irish ancestors of anything that smells like authority).

Although everyone was very proud and a staunch Baptist or Methodist who believed in the virtues of God and hard work, most of them felt far removed from the America which generated movies, popular music or new and fashionable things. So when "Ole Hank" would sing "Why cain't ah free your dutiful mind, and mayult yore cold, cold hart?" millions of them flashed: "Jesus Christ, I don't believe it! He's one of us!"

For a long time I thought this primitive level of identification was perhaps unique only to those people I knew, but since then I've met Alabamans, Mississippians, and Louisianians who've experienced the same thing. But this is a reaction from way back up in the sticks, and not necessarily the most typical.

While Williams embodied many of the touching and beautiful aspects of the South and Southeastern honkey culture, he also exposed nearly all of their bitterest faults and weaknesses. An alcoholic since his late teens, he came to be driven by a multitude of his own personal demons, becoming more self-destructive and withdrawn as the years passed. At the peak of his career he was failing miserably as a performer because of drunkenness, malnutrition and, towards the end, excessive use of pills. Countless thousands saw him stagger around mumbling, falling off stages or in a state of total helplessness. If he bothered to show up at all.

I've asked many people who saw him perform or knew him when he was in Nashville for their impressions. Most of them weren't exactly pretty:

"Up to a point, liquor and pills just made him sing better and better. Then, all of a sudden, he'd just cave in. Sometimes he would get real mean. You never knew which way he was going to go."

"I don't think he was so much a hateful guy inside. It was more like he would be burned up . . . or burned out as they call it. Blind crazy drunk and nothing mattered."

By the end of 1952 Williams had become the most pathetic figure in country music. Divorced, addicted, shunned by his fellow artists, he careened around getting in and out of trouble. During this time he began taking a series of "treatments" from a weird occult quack doctor, named Tobias Marshall, which contributed to the massive physical deterioration near the end.

September of '52 found him getting married to an ignorant, 19-year-old girl named Billie Jean Jones on the stage of an auditorium before several thousand gawkers who'd each paid 50 cents to get in. But it would be one of the last acts in the tragicomedy of country music's brightest star. At 29 he had only three months left.

On New Year's Eve the reaper smiled, and Hank Williams died in the back seat of a Cadillac plowing through the hills of West Virginia. Too much booze, too many pills. Outside the car, the icy teeth of a blizzard snapped.

And on New Year's Day, all over the nation Hank Williams' fans cried in front of bulky old Philco radios  leaking eulogies onto the hooked rug.

That was also the same day Billie Jean Jones stood on the toilet to slap her mother-in-law across the face and claw her eyes in a knock-down drag-out fight over Hank's car.

And Audrey, God bless her heart, was down at the funeral home removing the watch and rings from Hank's body.

The whole damned affair was so damned beautifully honkey white trash that it hurts. Just like his music did.

* * *

A Boulder freelancer and frequent Daily contributor, Bageant has worked as a blues researcher for Columbia Records.

In the footsteps of Neal Cassady's ghost

Note: Joe Bageant died last year at age 64. I knew him only for the last eight years of his life. For the final three years, he lived nearby here in Mexico and we talked every day -- partly as a routine death watch, making sure the other guy did not wake up dead one morning. Joe would freely talk about anything and everything personal. That is, anything but his early writing. I knew that he had written hundreds of articles for newspapers and magazines, often under a pseudonym, and I would ask to see some of his early work. He said he never kept his old articles and that may have been true. I launched and maintained his website with his promise that he would learn how to post, but he never did. It was a struggle to even get him to look at his own website when I made editing or design changes. "I hate this me-me-me stuff," he would say. After Joe died, an old friend of his sent me several clips of his early freelance articles. Joe is not here to argue about it, so I've typed and posted the following -- written when he was 29.

-- Ken Smith, ken@kvsmith.com 

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The Colorado Daily, March 9, 1976

In the footsteps of Neal Cassady's ghost

 By Joe Bageant

"For a time I held a unique position. Among the hundreds of isolated creatures who haunted the streets of lower downtown Denver, there was not one so young as myself. Amid these dreary men who had committed themselves, each for his own good reason, to the task of finishing their days as penniless drunkards. I alone as the sharer of their way of life, presented the sole replica of their own childhood to which their vision could daily turn. Being thus grafted onto them, I became the unnatural son of a few score beaten men."

-- Neal Cassady: opening lines of The First Third.

By the time of his death in Mexico in 1968 at the age of 43, Neal Cassady's turbulent passage across the American landscape had already left its mark upon literature. This was mostly through his effect on writers of the Beat Generation, the key figures of which were his closest friends. His attitude, more than the small body of writing he left behind, was a source of inspiration to such people as Kerouac, Ginsberg, Corso, Burroughs, and Kesey. This attitude might best be described as that of an American Zen Buddhist Drugstore Cowboy Poolshooting Mystic, with a terrible fascination for the relationship between velocity and life.

Early childhood found him growing up in the wino dive hotels of lower Denver, while his last years saw him careening through the acid antics of Ken Kesey's now famous Merry Pranksters. In between he left nothing untouched. Poetry, jazz, cafeterias, fast cars, women, and drugs, all were part of his experientially based philosophy.

As in the 60s, a new wave of interest turns toward the Beat Scene, Cassady's role looms ever larger for its inclusiveness. The search for the visions of a man now gone is best begun by experiencing the sounds and moods from which his inspiration was drawn. Much of Neal Cassady's were drawn from his brooding Larimer Street beginnings.

----------

There are no last names on skid row, except on police blotters. Hence, the ragged tramps at the Western Palace Hotel all have vague names like Slim, Red, Shorty, and Boe. These bums are rich as winos go, with the most of them living on small pensions; and the Western is what is called in these circles a solid flop (meaning that most of its residents live here permanently).

Housing about 60 wined-out old men who manage to come up with the $16.20 a week required to call it home. A verifiable address like this is as extravagant as life gets for those drowned in a well of muscatel. Scaley and bruised white ankles of their less fortunate brothers can be seen protruding from under dumpsters or jutting from phone booths up and down Champa Street. February's nasty and biting winds have no favorites but prey upon the derelicts of the Larimer district with special viciousness.

Torpid life in flop America has remained unchanged since the turn of the century and the smiling women with a cause still glom oatmeal onto tin plates as policemen pick up comatose bodies clad in long overcoats, taking care to avoid the areas of the rancid armpit or the slimy sock. But the company at the Western Palace is select and though no one here will ever win any hygiene awards, encounters with the police are rare. They take much pride in the fact of always having a roof over their heads but the truth lies more in luck than accomplishment and they will turn up dead somewhere in the same rat-like fashion as the rest of them. And each knows it.

"You say you were around here in the 30s? That was a while back. You must be getting up there in years."

"Well, I's 64 las' April. Sheeit, I was jus' a young fart, mebbe 20 somethin'. But I wasn't drinkin' none then. Naw, I was workin' for the city on the streets, but I always did live round this neighborhood."

"Did you ever know a fella name of Cassady that lived down here back then? Had a little boy with him for a while. He used to do barbering."

"Was he a bum?"

"Yeah."

"There wasn't many bums with kids. I knowed all the bums for years an' there wasn't but a couple what had kids."

"This guy's boy was named Neal."

"I think I might'a knowed him. Them kids was always watchin' but never said much. Ain't much you could say about 'em. They were just there."

"Now and again, when with child energy, I burst into the room, I would catch Shorty playing with himself. (I thought it was fried eggs littering the floor.) Even though he was past 40, any preoccupation with this form of diversion was justified . . . since judging from his appearance, he must not have had a woman since his youth, if then"

About nine o'clock the cry "lights out" sends the card players to the sheetless, waxy mattresses coated with the dried-up orgasms of secretive indulgers of the hand. Since the beds have no springs to squeak betrayal, total privacy swallows the solitary fantasies of unwashed manhood and darkness. Tiny pathetic flames of desire flicker once, then die in the night.

Neal Cassady growing up in this grizzled stench of sallow expiration. The clear-eyed dreamer in mission relief knickers, glancing into the oil rail-road puddles of March, catching that distinct angle at which they reflect back broken blue fragments of sky. Him laughing amid the traffic noise or sinking the four-ball into the side pocket. Breathing in deep the Denver night.

The light of morning and evening are virtually indistinguishable through the blind, greasy windows of the Western Palace, giving them the appearance of yellow rectangles that merely brighten or dim. The yellow light's waxing brings a spattering of water in grimy sinks and a flourish of clogged razors as those men who are still capable of desiring food leaving for the Guardian Angel.

Breakfast at the Guardian Angel Mission is as uninspiring as breakfast can possibly be. Food in the skids has always been regarded chiefly as fuel by both the cooks and the ulcerated stomachs that consume it. Not even an hour wait in the block-long line increases the anticipation for that dab of lukewarm oatmeal and paper cup of weak coffee that appears on your steel tray.

"The line moved slowly at any time . . . If alone, I could whiz through the entire operation in less than half an hour, for then some kindly line crawlers would push me past them. I would edge around a couple dozen of these indulgent men who, while committing the cheat for me, gave a sly wink and a chortle of self-satisfaction."

Once seated at the long tables, the bland trance of a Larimer Street morning begins to give way to small schemes of wine procurement. Scoring wine is often a joint venture of two or more parties, a venture that struggles well into an afternoon of the shakes before the goal is accomplished. Amputees and those with obvious physical infirmities have a distinct advantage in this game. They need only park in front of a likely place of business with their hats before them, while for the rest it is a day afflicted with minor squabbles as one plan after another falls apart with pitiful anguish.

Pawn, panhandle, or scrounge is the action, with the term junkie here meaning a salvage dealer. Junkies are are an absolutely merciless breed being generally bitchy and cheap, bargaining with the flops in terms of police threats or savage dogs. It is a strange moody sensation indeed to watch the bent-over tramps with their shopping bags of junk at dusk, entering the salvage dealer's dim interior which is guarded by a pair of fierce green flashing eyes.

"From these modest Larimer beginnings I was to become so bewitched by going junking that in following years I developed my scavangering into regular weekend tours conducted through all Denver's alleys. Laboring under what bulge of rescued discards my gunnysack contained, I would turn my snow-chilled feet homeward, and while pausing to rest, enjoyed watching the spectacle, as to the west, white peeks rose slowly curtaining the perfect orb of a descending winter sun."

These days, getting to where the scavangering is good entails a walk of 15 or 20 blocks and even then there are droves of little Mexican kids to compete with. Coming back in the chilling evening air, the oatmeal energy gives out about the time the more intrepid of the waif packs creep from behind buildings to place stealthy feet lightly into your shadow. Year in, year out, expeditions of tottering men move like a silent net across Denver, gathering the humblest of treasures before the sharp glances of housewives shaking mops and dark-eyed children of grassless back yards.

By the time the street lights come on the day has yielded whatever it is about to, leaving some the flushed smile of a wine glow; others shivering. Like everywhere else on this planet, the haves tend to hang out with the haves, and the have-nots are cast to their own devices. Bombay or Denver, it's all the same.

"Yeah, I know all about Neal Cassady. Grew up to be some kind of writer, didn't he? Haven't heard anything about him for years though."

"He died about eight years ago in Mexico."

"You don't say! Well I heard he was on some kind of dope or something back years and years ago. Is that what killed him?"

"You might say it was a combination of things."

"That's too bad."

Evening meal at the mission is somewhat more complex than breakfast because dinner is a religious proposition. Since the missions are supported for the most part by churches, a conversion to Christ is expected nightly from the ranks of drooling bums. From a lot that has elected the wretchedest of life's paths, this is expecting quite a bit. Wino attitude toward this evangelism is best expressed in the term they use for these conversions. They call it "taking a dive." Sooner or later the hungriest one in the crowd goes down in a fit of religious ecstasy and after a thorough cross-examination, dinner is served.

With the problems of sustaining the flesh taken care of for another day, activity turns to such things as trading life-stories or articles of clothing (or maybe eyeballing those you intend to steal off your sleeping buddies). Shoes seem to be the big item in demand and about the only way to keep a pair is to sleep with them tied around your neck. As for the stories, they are always delivered in the same even monotone and have a strange dirge-like quality.

Though each is a different tale of demise, they all weave together to make a fabric, while the bleak lights of the hotel wash the men of Larimer in a certain cast of loneliness unknown to most. More often than not, they were once tradesmen practicing a skill that enabled them to raise families, make house payments, spout political opinions, and do all those things working men spend their three score and ten doing. But the weft and warp of this fabric is guilt and its escape through booze. Booze that brings new guilt feelings and a worthless self-persecuting sense of humility.

And often as the pages of this tome are turned in the hotel night, a policeman walks through the dismal lobby, and as he leafs through the registry book it is noticed that one of the boys is not with us tonight. One hand of cards will not be dealt and one empty bed by the window is frozen in the streetlight's glare. It was Neal Cassady who said "To have seen a specter isn't everything," and it was he too who said "There are death masks piled one atop another clear to heaven." The truth of it tumbles from February's aching skies, to run down the spine like ice, and as sure as ice melts, February is forgotten by June, the doors of the pool rooms are propped open and the young girls go by in their magnificent way.

Introduction to book of Joe's essays

This is the introduction to Waltzing at the Doomsday Ball: The Best of Joe Bageant, a book released today and available through Amazon-US. It includes 25 of Joe's essays published online from 2004 through 2010.

---

By Ken Smith
http://kvsmith.com

“I’m so damn average that what I write resonates with people”, Joe Bageant once told an interviewer in explaining how he had gained a global following for his essays published on the web. In 2004, at the age of 58, Joe sensed that the Internet could give him editorial freedom. Without gatekeepers, he began writing about what he was really thinking, and then submitted his essays to left-of-center websites.

Joe Bageant died in March 2011, having written two books, and 78 essays that were posted on his own website and also on many other sites. The 25 essays reproduced in this book were first published on the web. I’ve selected them based on many emails from readers, web traffic counts, and specific suggestions from his online colleagues. They appear here as Joe wrote them, apart from copyediting and light corrections agreed to between me and his book editor, Henry Rosenbloom, the publisher at Australia’s Scribe Publications.

Joe began writing for various publications in his twenties. He once told me how happy and proud he was when he sold his first article to the Colorado Daily, unashamedly recalling how he got tears in his eyes as he looked at a check for $5. It was only five dollars, but it was proof that he had become a professional writer. Joe freelanced articles for a dozen years, mostly writing about music, but also writing profiles of people such as Hunter S. Thompson, Timothy Leary, and G. Gordon Liddy. With a family to support, Joe found work as a reporter and columnist for small daily newspapers. Then, for two decades, Joe submerged his rage and natural writing style while working at various hard-labor jobs, before working again as a newspaper reporter, and then as an editor of magazines — one in military history and before that a magazine that promoted agricultural chemicals.

At the age of 17, Joe enlisted in the U.S. Navy, serving on an aircraft carrier. Joe had farmed with horses for several years, tended bar, and considered himself at times to be a “Marxist and a half-assed Buddhist.” Always wanting to escape, he embarked on a life-long voyage of discovery that included living in a commune and on an Indian reservation, and, later in life, in Belize and in Mexico.

Joe often said that the Internet allowed him to find his voice. But I would argue that Joe always had his voice, and that what the Internet did for him was to permit him to find a readership. Once his essays started appearing on various websites, Joe soon gained a wide following for his forceful style, his sense of humor, and his willingness to discuss the American white underclass, a taboo topic for the mainstream media. Joe called himself a “redneck socialist,” and he initially thought most of his readers would be very much like himself — working class from the southern section of the U.S.A. So he was pleasantly surprised when emails started filling his in-box. There were indeed many letters from men about Joe’s age who had also escaped rural poverty. But there were also emails from younger men and women readers, from affluent people who agreed that the political and economic system needed an overhaul, from readers in dozens of countries expressing thanks for an alternative view of American life, from working-class Americans in all parts of the country, and more than a few from elderly women who wrote to Joe to say that they respected and appreciated his writing, but “please don’t use so much profanity”.

The central subject of Joe’s writing was the class system in the United States, and the tens of millions of whites ignored by coastal liberals in New York, Washington, San Francisco, and Los Angeles. In his online essays and books, and also in conversations over beer or bourbon, Joe would rail against the elite class who looked down on his people — poor whites, the underclass, rednecks. Joe was amused that a New York book editor once said to him, “It’s as if your people were some sort of exotic and foreign culture, as if you were from Yemen or something.”

Joe spent almost as much time answering emails as he did writing essays. Often a response to an email would be rewritten and included in his next essay, and Joe would send thanks to the reader for providing the spark. In the six years that Joe was writing for publication on the web, he answered thousands of emails from readers — sometimes with just one sentence, but often churning out a thousand words or more.

He and I would talk about the response he was getting to his writing. His explanation was that he was the same as his reader friends, ordinary and fearful. “I don’t write to them,” Joe said in an email to one of his readers. “I don’t write for them. And I don’t write at them. We merely live on the same planet watching the unnerving events around us, things the majority does not seem to see. So I write about that. And maybe for just a moment, a few friends I’ve never met do not feel so alone. Nor do I.”

I first met Joe only seven years before he died, but it seems as though I had known him all of my life. I learned later that there were many people who had similarly become friends of Joe, meeting first by email, then by phone, and then often making personal visits to his home in Virginia, or Belize, or Mexico.

In 2004, I was living in Nice, France and had read one of Joe’s online essays. I sent him an email praising his style and ideas. He replied with a thank-you note, asking if I were wealthy and why I, an American, was living in France. I explained that I lived frugally in a working-class neighborhood of Nice, eating and shopping where the locals did. That started an email exchange and then many phone calls. In one conversation, he said he was bone tired from a daily three-hour commute to a job he didn’t really like. I told him that he should take a couple of weeks off and come to France. He did just that.

Joe arrived at the Nice airport with a back-pack and his guitar. We went on daily walking tours of Nice, to my favorite bistros and some historical spots, and I introduced Joe to many of my friends. Joe had been there about a week when he said he wanted to explore the city on his own — my tour-guide services were not needed. I reminded Joe that he didn’t speak a word of French and he might get lost, so I gave him a note to show a taxi driver how to get back to my apartment. Joe had said he would be gone about two hours, but it was eight hours later that he returned. He had somehow found a beer bar where French taxi drivers met after work, and had spent the day arguing about politics and the global economy. Joe explained that one of the taxi drivers spoke English and had served as a translator. I like this anecdote because it illustrates how comfortable Joe was with working people, no matter what language they spoke. This ease of meeting and befriending working people was repeated in Mexico, where shopkeepers, gardeners, and taxi drivers would soon treat Joe as a long-lost brother.

It was during this visit to France that I convinced Joe he needed his own website, if for no other reason than to serve as an archive for his essays, which were then scattered all over the web. I told him that I would get it started and teach him how to post to it. But in seven years Joe did not post anything, never once logged onto the server, and kept asking me to do it. He would rarely look at his own website, even when I asked him how he liked changes I had made. It was not that Joe was a Luddite, ignoring the Internet. He spent hours every day reading other websites and answering emails. But when it came to his own site he was humble, almost embarrassed, by the focus on him personally. “I hate this me-me-me stuff,” he would say. He was reluctant to have news about himself posted, dragging his feet whenever I suggested that news about his books be posted. He finally agreed that I could write about him and put my name as a tag at the bottom of a post.

I left France five years ago when the dollar/euro exchange rate made it too expensive for me. Eventually, I moved to Mexico. Joe came to visit, and he liked the lifestyle, the Mexican people, and the low cost of living. He stayed in my second bedroom for a couple of months, then got his own place. Joe’s wife visited several times a year, and had discussed moving to Mexico when she retired.

While living in Mexico, Joe wrote his second book, Rainbow Pie: A Redneck Memoir, which was released in the U.S. just four days after his death. I wish there were a video of Joe writing this book. He worked on a three-quarter-size notebook, typing fast and furiously with two index fingers, with a burning but unsmoked cigarette in a nearby ashtray.

Between France and Mexico, I had stayed with Joe and his wife, Barbara, in Winchester for a couple of months to help with the editing and proofing of the final manuscript of Deer Hunting with Jesus: Dispatches from America's Class War. While in Winchester, I met many of Joe’s old friends, some of whom had known him since childhood. This helped me gain an additional understanding of the scorn and condescension of the town’s elites toward Joe and his underclass, the poor whites. In addition to his friends, I also met more than a few people who knew Joe but had few kind words to say about him because of his left-wing politics and what they felt was the negative picture he painted of the town. Not only was he rejected by the affluent class, but also by some of the very people he was trying to help — including some people he had grown up with.

The fact that Joe was gaining recognition in other countries did not register with the locals in Winchester. Joe did not consider himself a Christian, so he might object to my citing Jesus’s saying that a prophet is not recognized in his own land. While declaring that such a lofty Biblical aphorism would not apply to a redneck, Joe might also have cited the reference in its entirety, chapter and verse.

The sad fact is that Joe was not recognized in his own small home-town of Winchester, Virginia, with its population of 25,000, even though he was certainly the area’s most widely published contemporary writer. His hometown newspaper, The Winchester Star, never mentioned his name — not even when he was signed by Random House for his first book, Deer Hunting with Jesus, nor when the book was getting rave reviews in other countries. Joe would never admit to being bothered by the local newspaper ignoring him and his success, but it was obvious to those who knew him that he would have appreciated some local recognition. He dismissed this slight by explaining that the newspaper’s publisher was still angry from decades before when Joe worked briefly as a reporter for the Star and tried to organize a union for the editorial staff.

Even though neither Joe’s hometown newspaper nor any mainstream U.S. newspaper or news service noticed his death, the Australian Broadcasting Corporation replayed an interview from his book tour a year before. And La Stampa, one of the largest and most prestigious newspapers in Italy, published an obituary and another glowing review of the Italian edition of Deer Hunting with Jesus.

Looking back now, it is clear that Joe’s energy was being sapped in the months before his cancer was diagnosed. Just three days before a massive and inoperable abdominal tumor was discovered, Joe had spent the day riding a horse with Mexican cowboys. But, for a month or two before this, he was finding it increasingly difficult to concentrate sufficiently to finish an essay. I didn’t see it at the time. His last essay, “AMERICA: Y UR PEEPS B SO DUM”, took Joe more than a month to write, in fits and starts. He emailed me a draft of this essay, which was more than 8,000 words — long even for Joe. I cut about 3,000 words from the draft, re-arranged chunks of text, and sent it back to Joe with a note that the draft could potentially be one of his best essays, but that it was a jumble of thoughts and he needed to sweat blood while re-writing it. Rather than coming back with a typically argumentative response, Joe agreed and replied that he would do more work on it. Now I feel guilty about having pushed a sick and dying man to be creative, even though neither Joe nor anybody else knew how ill he really was. But I try not to feel too bad about it, because I think it is indeed one of his best essays.

Things are often more clear in retrospect. One book that Joe often referred to in conversations was Dark Ages America: The Final Phase of Empire by Morris Berman. As it happened, Joe and I had both independently been corresponding with Berman, and we learned that Berman was also a sixtyish American expat living in Mexico, just a mountain range to the east of us. Joe and I had been planning to invite ourselves to visit Berman, but it didn’t happen. Berman wrote a review of Rainbow Pie, and he summed up Joe with a phrase that had never occurred to me, nor probably to Joe either. Berman wrote that the source of Joe’s frustration was “extreme isolation”, adding that Joe realized the U.S. was the greatest snow job of all time, likening the country to a hologram, “in which everyone in the country was trapped inside, with no knowledge that the world (U.S. included) was not what U.S. government propaganda, or just everyday cultural propaganda, said it was. He watched his kinfolk and neighbors vote repeatedly against their own interests, and there was little he could do about it.”

On his last day, with his family gathered around his bed, Joe said: “Dying isn’t as bad as I thought it was going be. I’m just going into this blank space where there’s nothing.”

That’s not quite true, Joe. Your books and essays remain with us, and through them you are still alive. Goodbye, good friend.

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Ken Smith was a friend of Joe Bageant and managed his website since its launch. He currently lives in Ajijic, Jalisco, Mexico. Ken's website is at http://kvsmith.com.

All proceeds from sales of this book will be donated to Joe's favorite charities.

Book with Joe's best essays now on Amazon

For those who prefer a real book rather than reading on a computer screen, a book with 25 of Joe Bageant's best essays is now available for pre-order on Amazon. Waltzing at the Doomsday Ball: The Best of Joe Bageant will be available for distribution in the USA April 1. This book was first published last November in Australia by Scribe.

Before he died one year ago, Joe and I had talked about such a book, even though he initially had doubts that people would pay for something that's available for free on the web. But, many emails from his readers convinced Joe that enough people wanted the essays in book form to make the project worthwhile. After Joe died, Henry Rosenbloom, Joe's friend and Australian publisher, asked me to select and edit essays for the book.

Joe Bageant's essays in book form

By Ken Smith
ken@kvsmith.com

The book I edited of Joe Bageant's essays was released six weeks ago in Australia, but today I was finally able to see and hold a copy. The first mailing of the book apparently is stuck in Mexican customs. The book is Waltzing at the Doomsday Ball: The Best of Joe Bageant. I'm listed as the author, but that's not accurate. I'm the editor. I wrote an introduction and bio, but 95% of the book is Joe Bageant.

It is published and distributed by Scribe/Penguin. Unfortunately, it is now only available in Australia, New Zealand and South Africa. There is no commitment yet for publication and distribution in the US, UK and Canada, but that will likely happen in mid-2012. Here is Penguin's page for the book: http://www.penguin.com.au/products/9781921844515/waltzing-doomsday-ball

This collection of Joe's essays is also available as an e-book on Apple's iTunes-Australia. And, an e-book version is also available on Amazon's sites in France, Germany and Italy.

Now the World is a Sadder, Sillier Place

This tribute to Joe Bageant originally appeared last May in La Cuadra, a print magazine published in Guatemala. The magazine recently posted the following to the web, and here it is.

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By Michael Tallon
Editor-in-Chief, La Cuadra Magazine

Joe Bageant is dead, Joe Bageant is dead. Now hang down your head, Joe Bageant is dead.

It is with a heavy heart that we share that news. Cancer got him in the end. Regular readers will recognize his name as Joe was a steady contributor to La Cuadra over the years. Your editors had been fans of his for a long time, but when we first started this project we never imagined we’d actually land his great talents for our magazine. Then, one evening back in 2008, as we were necking beers with our good friend Earl The Retired Bank Robber, Joe’s name came up. I’d just stumbled upon Joe’s website and discovered a trove of essays I’d not seen before. When I asked Earl if he’d ever read Joe’s stuff, he grinned and said, “Been friends with that old bastard for years. You want me to call him up and see if he’d do something for the rag?”

Documentary film with Joe Bageant opens

Kingdom of Survival, a documentary film in which Joe Bageant is a focal point, will premier at the World Film Festival (Festival des Films du Monde) in Montreal, August 18 through August 28. The segments of the film with Joe were made more than a year ago. Before he died last March, Joe had seen an unfinished version of the documentary and told director M. A. Littler that he was pleased to be a part of the film. In addition to Joe, the documentary has interviews with Noam Chomsky and Mark Mirabello -- plus a reclusive cabin builder, an anarchist book publisher, and a folk musician.

Here is a trailer for Kingdom of Survival. For those who don't know Joe Bageant, he is the second speaker in this clip.

The festival will have a total of 383 films from 70 countries. The awards jury will be presided over by Spanish director Vicente Aranda. Other highlights of the festival are a tribute to Catherine Deneuve and a master class in filmmaking with Claude Lelouch.

Kingdom of Survival press release (français ci-dessous)

THE KINGDOM OF SURVIVAL seeks out radical and alternative visions that challenge the status quo and features Prof. Noam Chomsky, Joe Bageant, and Mark Mirabello.

The Kingdom of Survival is an interdisciplinary documentary combining speculative travelogue and investigative journalism in order to trace possible links between survivalism, spirituality, art, radical politics, outlaw culture, alternative media and fringe philosophy.
Circling through themes of utopianism, globalized capitalism, anarchism, intellectual and spiritual self-defense, religion and art, the film investigates physical and psychological survival strategies practiced by groups and individuals in a conflict-ridden and confused post-post- modern world.

Maverick writer and filmmaker M. A. Littler hits the outlaw highway in search of visions that challenge the status quo.

On his journey Littler crosses paths with renowned linguist and dissident Prof. Noam Chomsky, outlaw historian Dr. Mark Mirabello, gonzo journalist Joe Bageant, legendary reclusive cabin builder Mike Oehler, anarchist book publisher Ramsey Kanaan, egalitarian radio host Sasha Lilley and folk musician Will "The Bull" Taylor.

Together they explore radical and alternative visions for the 21st century.

---

The Kingdom of Survival est un documentaire interdisciplinaire qui combine enquête-itinérante-spéculative et journalisme d'investigation afin de tracer des liens possibles entre le survivalisme, la spiritualité, l'art, la radicalité politique, la culture hors-la-loi, les contre-médias et la philosophie de marge.

Naviguant autour des thèmes de l'utopie, du capitalisme mondialisé, de l'anarchie, de l'auto-défense intellectuelle et spirituelle, de la religion et de l'art, le film étudie des stratégies de survie physique et psychologique telles qu'elles peuvent être pratiquées par des groupes ou des individus qui ne se reconnaissent plus dans une société post-moderne régie par la confusion et les conflits permanents.
M. A Littler, écrivain et cinéaste dissident, taille la route à travers l'Amérique à la recherche de visions qui défient le statut quo.

Au cours de son voyage il croise le chemin d'un objecteur de consciences et linguiste renommé, Noam Chomsky, d'un universitaire spécialisé dans l'histoire des Hors-la-lois, Mark Mirabello, d'un écrivain et journaliste gonzo, Joe Bageant, d'un légendaire ermite et constructeur de cabanes à 50 dollars, Mike Oheler, d'un éditeur de littérature anarchiste, Ramsey Kanaan, d'une productrice de radio égalitaire, Sasha Lilley, et d'un musicien de Folk, Will « the Bull » Taylor.

Ensemble ils explorent et proposent des visions radicales et alternatives pour le XXI ème siècle.

`

Joe picks and sings Hemingway's Whisky

Here is an outtake from The Kingdom of Survival, a documentary now in production that includes interviews with Joe Bageant, Noam Chomsky, a radical book publisher, a cabin builder, a musician, and a radio host. This segment was shot one year ago when Joe was visiting his home in Winchester, Virginia. 

"Hemingway's Whisky" was written by Guy Clark and became the title for Kenny Chesney's recent album.

Bageant’s Frustration: Extreme Isolation

By Morris Berman
morrisberman.blogspot.com 

Given how much we had in common, it’s perhaps a bit odd that Joe Bageant (1946-2011) and I never met (although I think we did correspond at one point). He even wound up living in Mexico a good part of the time. But the real connection between us is the congruence of perception regarding the United States. Joe came from unlikely roots to have formulated the political viewpoint that he did: working-class, right-wing, anti-intellectual, flag-waving, small-town Virginia. A “leftneck,” someone dubbed him; it’s not a bad description.

There aren’t too many leftnecks in the United States; of that, we can be sure. This was the source of Joe’s frustration: extreme isolation. Because he realized that the U.S. was the greatest snow job of all time. He likened the place to a hologram, in which everyone in the country was trapped inside, with no knowledge that the world (U.S. included) was not what U.S. government propaganda, or just everyday cultural propaganda, said it was. He watched his kinfolk and neighbors vote repeatedly against their own interests, and there was little he could do about it. The similarity between his last book, Rainbow Pie: A Redneck Memoir, and my forthcoming Why America Failed: The Roots of Imperial Decline, is in fact quite startling. True, I’m analytical where Joe is homey, and my historical perspective is that of 400 years rather than just the twentieth century; but Joe’s way of addressing the issues is gritty, and right on the money. One can only hope that his book gets the posthumous attention it deserves.

Remembering Joe, a redneck revolutionary

By Patrick Ward
www.socialistreview.org.uk

It was difficult not to take an instant liking to Joe Bageant.

Soon after Barack Obama won the 2008 presidential elections, Socialist Review called him up for his opinion on the matter: "I always say that if Obama was delivered to the White House with Jesus Christ, a five-piece band and six gilded seraphims holding up his fucking balls he still won't be able to do anything because the country's broke and Congress is bought and sold."

It was with that one long, angry sentence, I became an admirer of this "redneck revolutionary".

Joe's wit tore through the fog of myth which surrounds the poorest working class people in the US. For Joe, they weren't the lazy, stupid caricatures drawn by the establishment media and politicians. They had a heart, but they had been used up and forgotten by capitalism.

Rainbow Pie should be required reading

Review by Pete Soderman
pwsoderman.wordpress.com

One of the reviews on Amazon suggested that Rainbow Pie: A Redneck Memoir should be required reading for all American schoolchildren, and I heartily agree. The picture Joe paints of what’s happened “his people” in the rural south applies to working men and women everywhere in America. Far from being only the family memoir I expected, Rainbow Pie is really a story of the corporate takeover of America from the point-of-view of the common working man and woman. There is essentially no difference between what has become of the world Joe describes around Winchester, Virginia, and the world I grew up in near New Haven, Connecticut. In both cases, the good jobs are gone, both on the land and in the factories.

The chief difference between the two is that, while “Joe’s people” are clinging to their guns and religion to protect them from what they see as an overreaching government, mine, in the liberal north, are clinging to the faint hope that Obama, the magic-man is going to somehow save them from their own stupidity. Both ideas are equally divorced from reality.